A flat reflector can’t increase the size of the reflected light either, though it appears like fabric reflectors do this. A reflector can’t reflect more light than from what it receives according to the physics Law of Reflectance. If you’re trying to illuminate a 5’10” or taller fashion model with a 3- or 4-foot diameter circle, you will not evenly light her from head to toe. First, round reflectors are basically small circles in comparison to your subject thus they produce a more specular or harsher light source. So let’s look at why most professionals rarely use round reflectors. Most human subjects form imaginary geometric rectangles, not circles. As I said in the Welcome post, you get what you pay for hence, why top professional photographers, cinematographers, and videographers pay extra for rectangular-shaped reflectors like those from SUNBOUNCE. Now there are many different shapes of photography reflectors out there, from circles to triangles and even ovals. Now when I have an assistant, or a C-stand with a clamp, I’ll probably go for the larger Pro version with my favorite zebra fabric screen. So if I’m in a hurry, and probably without an assistant, the MINI is my choice, as I normally don’t carry a MICRO-MINI with me. Obviously the SUNBOUNCE MICRO-MINI is even faster to assemble with one cross bar and it’s only 2-foot by 3-foot. The Mini has two cross bars, whereas the PRO has three. The mini is 3-foot by 4-foot while the PRO is 4-foot by 6-foot. In this photo illustration you can see what a 4″圆″ SUNBOUNCE will cover in comparison to a 3- or 6-foot diameter circle reflector.įor example, it’s quicker and easier, though by maybe thirty seconds, to put together a SUNBOUNCE MINI vs.
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